Alphonse mucha - Cigarette Job :: essays research papers fc

Cigarette Job - Alphonse Marie MuchaThe purpose of this Essay is to deal an example of design from the late 1800s, I will relate it to the social, economic, technical and cultural context of that time. . I intend on delivering details of the mechanic and his life experiences as well as his style and possible interests. I will also evaluate the subject with my own opinion, likes and dislikes, with comparisons of work and artists from within that period up to the present date The design I crap chosen to focus on is Cigarette Job (1898) by the prominent Alphonse Marie Mucha. Alphonse Mucha was born in 1860 in Czechoslovakia and died in 1939. He is most frequently remembered for the prominent role he played in shaping the esthetics of French Art Nouveau at the turn of the century, he was in circumstance the most famous artist of the Art Nouveau period. His imagery was so inextricably entwined with Art Nouveau that the correct movement was referred to by Goncourt as the Mucha Sty le. Famous passim Europe and the Americas, he inspired other artists and designers who copied him and plagiarised him so that for age the image of the Muchaesque beauty surrounded by her characteristic symbols was enshrined in advertising, cartridge holder covers and illustrations, book jackets, posters, pics and numerous artefacts.Art Nouveau is the Decorative style of the late nineteenth century and the early 20th that flourished principally in Europe and the USA. Although it influenced painting and sculpture, its chief manifestations were in architecture and the decorative and graphic arts. It is characterized by sinuous, lopsided lines ground on organic forms in a broader sense it encompasses the geometric and more abstract patterns and rhythms that were evolved as part of the general reaction to 19th-century historicism. in that location are wide variations in the style according to where it appeared and the materials that were employedFlorated madness, liniar hysteria, inappropriate decoratve disease, stylistic free-for-all, such were the terms its contemporaries used to bring up Art Nouveau, the first international design style. Art Nouveau was the rebellion against the entire Victorian sensibility, steeped as it was in the past. The exponents of the style hoped to revolutionize every shot of design in order to set a standard that would be compatible with the new age. Art Nouveau was a direct descendant of the humanities and Crafts movement and influenced by celtic ornament as well as Japanese woodcut prints, all this resulted in an international style based on decoration.