How far do Creon and Antigone fit Aristotle's definition of a tragic hero.

How far do Creon and Antigone fit Aristotles rendering of a no-account hero? Aristotle defined a sad hero as: - The intermediate sort of person, one whop is not preeminently virtuous and just, one who incurs misfortune not as a result of vice and depravity, but by some illusion of astuteness while enjoying great reputation and prosperity and Creon and Antigone ar the characters that could fit this definition best. Aristotle first of all suggests that a tragic hero essential be someone of high stature and status. Antigone is someone who is serving of the royal family of Thebes. She occupies a position of gentry and to an extent represents nobility. moreover the person must be a person that embodies fairness and decency according to Aristotle. From the beginning of the play Antigone earns the revere of the audience, she shows bravery and a high sense of family duty towards her brothers allow for you lift up the body with these bare hands and impose it with me. Antig one has made up her mind about her decision, she is single tending(p) and firm in how she will handle her problems. She will not compromise the judgement of one of her brothers not receiving their burial disciplines, he has no right to keep me form my own.

Antigone that displays an unyielding single-minded attribute to her character and is fully awake if the consequences she could suffer. As her sis defies her wishes she disregards her despite the sound advice that Ismene gives her, Why hotfoot to extremes? Its madness, madness. merely instead Antigone would prefer to be wish well a martyr, wipeout will b e a air, she sees the higher moral good in ! her actions I energize longer to enrapture the dead than please the living here(predicate). Antigone is looking at... If you extremity to get a full essay, drift it on our website: OrderCustomPaper.com

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